About Me

Born in 1983, my relationship with the electric guitar began early and without formal structure. From the beginning, the instrument was approached as a medium of expression rather than a technical discipline. No formal lessons, no strict theoretical framework — only listening, repetition, and an instinctive understanding of sound and feel.

Over the years, playing guitar became less about constant practice and more about long-term continuity. Even during extended periods of silence, the connection remained. Returning to the instrument after time away never felt like starting over, but rather like resuming something unfinished.

At the center of this journey stands Epiphone — and in particular, the Epiphone Les Paul. These instruments are often viewed through the lens of comparison, yet rarely through the lens of history. Epiphone is not a secondary chapter in guitar making; it is a foundational one. Long before becoming associated with Gibson, Epiphone was an independent and innovative manufacturer, founded by Epaminondas Stathopoulos, a Greek immigrant whose influence on modern guitar design is frequently overlooked.

The Les Paul model itself carries a complex legacy. Its evolution is inseparable from Epiphone’s craftsmanship, manufacturing expertise, and early archtop heritage. Despite this, Epiphone instruments are often undervalued — judged by branding rather than build quality, tone, or historical importance. This disconnect between perception and reality is precisely what makes them compelling.

Musically, there is no single direction or genre that defines this project. Heavy music, extreme metal, and aggressive forms coexist naturally with blues, melodic phrasing, and atmospheric expression. Bands like Death, Pantera, and Slipknot represent intensity and honesty, while players such as Gary Moore and David Gilmour represent restraint, emotion, and narrative within sound. Different styles serve different purposes — all valid, all necessary.

The technical setup remains intentionally straightforward. A Blackstar ID:50 amplifier provides flexibility without excess, allowing focus to remain where it belongs: on tone, response, and expression rather than complexity.

Alongside this site, the project extends to a TikTok channel titled “That Epiphone Guy”, dedicated to Epiphone guitars, sound demonstrations, and the broader appreciation of instruments that exist outside mainstream prestige narratives.

This is not a space driven by trends, perfectionism, or gear hierarchy.
It is a space for context, history, sound, and continuity — and for instruments that deserve to be understood rather than ranked.